But she still needs Korben, and at the last minute, he figures out his role. She’s the supreme being sent to Earth for that purpose. ![]() In the end, it’s Leeloo who has the power to save Earth from an apocalyptic alien attack. He learns to work with others and embrace his more sensitive side, even as he’s cracking wise and kicking ass. The film doesn’t try to reconcile these, but rather lets Korben find his own path. There’s a contradiction at the heart of The Fifth Element, with Korben’s manly heroism at odds with his social ineptitude. Leeloo is, it turns out, is a supreme being, sent to Earth to protect humanity from an ancient force that threatens the planet every 5,000 years. When the mysterious Leeloo literally lands into Korben’s life, he automatically takes on the role of protector. The 23rd century doesn’t quite have room for him: He lives alone following a failed marriage, has trouble holding onto his job (and his driver’s license), can’t quit smoking and doesn’t have any friends outside of his old platoon. He’s an alpha-male, tailor-made for the ’80s or ’90s, but, after finishing his time in the military, he’s adrift. For all his typical manly heroism, Korben is a misfit in the film’s flamboyant space operatic future. This is also the first hint we get that this is a self-reflexive role for Willis, breaking down his tough-guy star persona and digging deep into what exactly makes him such a reliable “guy-movie” centerpiece. Right away, we’re cued to the limits of Korben’s worldview, mostly restricted to macho action. ![]() She speaks an ancient language, so the two can’t communicate-until she says the word “boom,” that is. Cab driver Korben Dallas (Bruce Willis) has his daily routine interrupted when Leeloo (an early starring role for Milla Jovovich) crashes through his roof. In an early scene from Luc Besson’s The Fifth Element, there’s a subtle but very telling exchange between the film’s two protagonists. The Fifth Element Year: 1997 Director: Luc Besson Stars: Bruce Willis, Gary Oldman, Ian Holm, Chris Tucker, Milla Jovovich Rating: PG-13 Runtime: 113 minutes And it’s why our list of what’s available is so important.ġ. A perfect mirror image to Criterion’s well-curated ensemble, Tubi’s shotgun blast of cinema has its merits. Looking for an obscure title, or a well-loved movie from decades ago that simply doesn’t appear on one of the major streamers? Check Tubi. It’s a library that eclipses other streamers, and one supplemented by questionable Tubi Originals like Titanic 666, but despite its difficult learning curve, the sheer selection of movies at hand has helped make Tubi into a surprising go-to for a select kind of cinephile. ![]() Their library is massive, with close to 1,000 films available just in the horror genre, but the functionality and ability to browse those films in a logical way leaves much to be desired. As a free, ad-supported streaming service, finding the best movies on Tubi involves one major pro and one major con: Pure scale.
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